HerodotusThe Seventh, Eighth, & Ninth Books with Introduction and CommentaryMachine readable text


Herodotus
By Reginald Walter Macan




Perseus Documents Collection Table of Contents



PREFACE

INTRODUCTION
   Unity of the last three Books of Herodotus
   Justification of the existing subdivisions
   Characteristic and Analysis of Bk. 7
   Characteristic and Analysis of Bk. 8
   Characteristic and Analysis of Bk. 9
   Is the work of Herodotus incomplete, or unfinished?
   General considerations in support of the priority of Bks. 7, 8, 9
   Particular passages favourable to the priority of Bks. 7, 8, 9
   Marks of successive Redactions in Bks. 7, 8, 9
   The Sources: analysis inconclusive
   Defects and Merits of Herodotus historicus as exhibited in Bks. 7, 8, 9
   The false and the true estimates of Herodotus and his work

THE TEXT


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INTRODUCTION

  [sect. 10]

The Sources: analysis inconclusive

General analyses and discussions on the Sources of Herodotus are disappointing and inconclusive; nor is the secret of this disappointment far to seek. The work is too large and complex, its parts are too diverse in character and origin, for generalizations, based upon the indiscriminate citation of verses, or evidential items from the whole work passim, to be convincing. A critique and evaluation of the Sources to be satisfactory must be conducted on such a scale as to be exhaustive. Moreover, the historical appreciation of the contents of the work, as attempted for example in the Appendices of the present edition, requires constant reference to the particular Sources of particular passages, and supersedes the attempt at a general and vaguer analysis. Yet, for particular Books, or groups of Herodotean Logoi, each with a predominant character of its own, something by way of a general account of the Sources may within reasonable compass be profitably achieved; and this Introduction to the three last Books, which deal with the story of the Great Invasion, a story comprising but two or three years as its chronological condition, and a comparatively limited area for its geographical scenes, would be incomplete without some attempt to deal generally with the question of the Sources from which the narrative was derived. Those Sources can only have been of three kinds: (i.) autopsis, or personal inspection; (ii.) hearsay or tradition; (iii.) documentary [p. lxviii] or literary evidence. Even such a classification is apt to be fallacious, especially in connexion with the work of Herodotus. The line between a monument and an inscribed monument is somewhat evanescent: the difference between a description based upon eyesight in the first degree and in the second is not always easy to detect; the affidavits of the agent and of the agent's family, or friends, are sometimes curiously stratified. Herodotus himself rarely draws clear distinctions between the specific categories of historical evidence.

(i.) The precipitation of the element of autopsis, personal inspection, in the seventh, eighth and ninth Books of Herodotus involves, as in the case of every part of his work, the evidences of his own movements, travels and researches. Now, apart from the suggestions, or rather confirmation, of a voyage, or migration, to the west, you would hardly discover or even suspect from the contents of these Books that Herodotus had been a great traveller in his day. Nothing suggests the visit to Egypt, or the voyage in the Pontos. There is no hint of the writer's having seen Susa or Babylon, though both are mentioned in these Books. The Kyrenaica is conspicuous by its absence. Even the scenes in Sardes, and on the route of Xerxes in lower Asia, show little or nothing that might not be put down to fairly vivid but secondary Sources. It would be pleasant to picture Herodotus tracing in person the route of Xerxes from the still unidentified Kritalla to Sardes, or even from Sardes to the Hellespont, and there would be no great extravagance in the supposition, at least so far as relates to the latter stage; but it is just here that we find it especially difficult to detect Herodotus in person. At some time or other Herodotus beheld Abydos, but apparently not before he had drafted his account of the march of Xerxes. It is much easier to carry, or to follow, Herodotus by sea than by land from his native Halikarnassos round the Aigaian world; and, except in the Hellenic peninsula and in the valley of the Nile, he scarcely penetrates inland. These Books may be taken to show, or to suggest, autopsy for Samos,38 Athens,39 Sparta,40 Delphi,41 Thebes,42 and perhaps also [p. lxix] Tegea,43 Argos,44 and other places in Greece proper. The proof that Herodotus visited Plataia, or the battle-field, before drafting his account of the battle is not convincing; but, as he certainly saw Thebes at some period of his career,45 he probably saw Plataia, and wrote, or revised, the story of the campaign, with the advantage of a tardy visit to the scene, though without a clear or full perception of the strategic and tactical problems involved in his own narrative.46 The gross blunder in the orientation of Thermopylai makes it very difficult to believe that Herodotus had studied that story of Spartan heroism an Ort und Stelle, even though points in the narrative, or topography, are extremely graphic.47 The description of Thessaly, as seen from the neighbourhood of Tempe, has suggested to more than one reader the idea that Herodotus convoyed Xerxes from Therme to Tempe, because he had performed the voyage himself, and the passage has notes of autopsis about it besides its graphic force.48 If so, Herodotus' problematic visit might be connected with his traditional residence at the Makedonian court; but the alleged residence at the Makedonian court is itself probably only an inference from the evidence afforded by the work, particularly in the eighth and ninth Books, of an admiration for Alexander, a special interest in his achievements.49 Athens, Delphi, Olympia, all might have supplied evidences and sources sufficient to account for the colour and warmth of Herodotus' notices of the Makedonian monarch. There are many vivid touches in the Makedonian and in the Thrakian geography of these Books50 ; but lists of cities and tribes were to be had for the asking, and there was no district better known in Athens than the tributary Thrakian region. The older geography of Hekataios was especially bright and copious in the north Aigaian. A serious blunder in regard to Chalkidike51 undoes the impression made by the descriptions of the canal, of Poteidaia, of the neighbourhood of Therme; and the too graphic touch on the [p. lxx] European habitat of the lion shows that Herodotus can be vivid and precise at second hand.52 If Herodotus had personal knowledge of Thrake, it is most natural to connect his Thrakian experiences with his visit to the Pontos, and not unreasonable to date that voyage later than the first draft of these Books, a view which harmonizes well with the non-appearance of the Odrysai in this volume.53 But, however the vision of Thrake be dated, it is rash to infer that the geography of the region is in the main based on personal observation, rather than on the copious Sources, of various kinds, available for the purpose.

(ii.) Apart from the advantage to his geographical and topographical data, and the vivifying effect on a narrative of events due to acquaintance with the scenes of action, the vast gain to Herodotus from his travels in the Greek world arose from the numerous opportunities afforded him of contact and conversation with men of various tribes and cities who had taken part in the war, upon the one side or the other. Besides what the actors themselves still had to say, there were doubtless strong local traditions in various places, and among the rising generation, in respect to the parts played by the various cities and powers of Greece throughout the great struggle. It would no doubt have been possible, in the time of Herodotus, to compile a history of the war purely based upon oral traditions, and to have gathered those traditions largely on the Asianic main. Such a history might have borne a marked resemblance, in ensemble and in details, to the actual work of Herodotus in this part. There is no equal section of his history where the terminology of oral tradition is so strong and patent, or where, failing exact and decisive terms, the general indications and conditions point so clearly as in the three last Books to the living voice as the main source of the writer's knowledge. Over and above such cases the catalogue of passages based on oral tradition may fairly be enlarged by referring thereto every story, or paragraph, for which a scriptural source is not distinctly preferable. It is a curious fact that Herodotus has explicitly named as an informant, and for a comparatively trivial occasion, but one person, that one happily contemporary with the war.54 As little as one such reference can represent [p. lxxi] the contact of Herodotus with the men who had actually taken part in the war, so little perhaps do the explicit notes of oral information represent the actual mass of materials due to this source in the pages of Herodotus. Waiving the terms, which are ambiguous (λόγος, λέγεται, λέγουσι, φασί κτλ.), and used indifferently of oral and of written information,55 though perhaps in these Books more generally of oral than of written information, there are not much more than ten or twelve passages in which unambiguous or explicit reference is made to an oral source (ἀκοή). Six times the express use of the term for hearing (ἀκούειν) guarantees the presence of firsthand oral information56 ; four times the hardly less explicit term φάτις is used, though with a less direct personal assurance.57 If the term πυνθάνομαι can be thrown into the same scale, the total of such references may amount to the baker's dozen.58 For the most part, be it observed, the passages so marked record comparatively trifling circumstances to which Herodotus attaches little importance. The chief exception is signalized not by the terms employed, but by the express nomination of his informant. We dare not infer from this paucity of reference that Herodotus had documentary or written authority for all the rest. The nature of the case, the character of the story in itself, Herodotus' own date and the evidences of his travels, all go to prove page after page of these Books the first literary redaction of the living voices of men. The Halikarnassian speaks in the exploits of Artemisia,59 the story of Hermotimos,60 the service and reward [p. lxxii] of Xeinagoras.61 Incidents of the battle of Salamis, the campaign of Mykale, and more besides, come from the lips of Samians.62 Athenian or phil-Athenian report, and apparently still unwritten report, dominates the records of Artemision, of the battle of Plataia, and other considerable portions of the narrative.63 It was in Sparta, or at least from Spartans, that Herodotus heard many incidents connected with Thermopylai, and with the battlefield of Plataia.64 Delphic sources, not written, though sometimes connected with monuments and inscribed objects, flow freely, and partly to the confusion of truth and consistency in the historian's work.65 Boiotians are not silent66 ; Argives,67 Korinthians,68 and Thessalians69 are to be heard; Thrakians, that is Greeks of Thrake, may have spoken with Herodotus, at Athens for example, even if he had not visited Thrake when he first wrote down its geography.70 Western witnesses are cited in a way that suggests, bearing all the circumstances in mind, a personal rapport.71 For the copious insertions of contemporary events, the contribution of Herodotus to the Pentekontaeteris, it stands to reason that his source is Hearsay, or what might count as such.72 The mass of materials thus recognized is immense, and gives this volume of the work a specific character.73 Moreover, behind the living voice we here and there catch an echo of the traditions in the making.74

(iii.) But the mass of materials thus recognized, though immense, is not quite exhaustive, and of a surety the amount of information, even in the last three Books of his work, which [p. lxxiii] Herodotus has drawn from literary sources, from documents and authorities of one kind or another, other than the living voice of the actors and spectators of the great war, has been greatly under-estimated by many recent critics. There is a great deal of substance in the last three Books of Herodotus besides the bare story of the war, and belonging to other departments where learned or poetic pens had long been busy. A deal of matter in these Books, notably in the Army and Navy Lists, was ancient history to Herodotus himself: legends, myths, traditions of migrations, colonization, settlements, foundations, which had all received treatment from poets and logographers, whose works Herodotus is innocently exploiting as a matter of course. Herodotus was not the first man to commit to writing the Achaimenid pedigree, or the genealogies of the royal houses of Sparta and of Pella. His geography and ethnography he had neither to discover for himself, nor to take simply on hearsay: there was a considerable geographical literature in existence, and a good deal of his material he found ready to hand in the works of Hekataios, and perhaps of others. But it may be thought that such matters, though not inconsiderable, only bear remotely, if at all, on the story of the war. There were documents of various kinds in existence concerning the war: the war had already, and almost immediately, created a literature of its own. Some critics write, or speak, as though it were much to the credit of Herodotus to have neglected all that, and begun de novo, as though to glean the oral tradition and ignore the written word were a special merit in the historian. Strange aberration! We should feel more complete confidence in Herodotus could we be assured that he had made a systematic study of all that had already been written about the war, and had examined all available documents dating from the war period itself. It is all to his credit if, scanty as are the materials for comparison, and slight as are the hints afforded by his own methods and result, we can yet perceive that he did not wholly ignore what others had done before him, or disdain the monuments of the war, the history whereof he undertook to write. Any one can see that Herodotus must have had access to written collections of Oracles, as well Delphic as less august vaticinations,75 but there the recognition of written sources [p. lxxiv] appears for some critics to stop. None will be rash enough to claim for him an inspection of the king's despatch to Mardonios, dramatically reproduced by Alexander,76 and even the tablet of Demaratos has a somewhat apocryphal air about it.77 Herodotus might easily report the inscriptions of Themistokles without having actually seen them in situ,78 and the Apographai and Anagraphai of the Royal Scribes would have been indecipherable to him, even if he could ever have had them in his hands.79 But his chronology, as far as it goes, is based at least in part upon official documents, for example the list of Attic Archons. His Army and Navy Lists, however composite, must go back ultimately to authoritative documents. He had seen many monuments of the war, tombs, stelai, votive offerings, and he had surely not merely heard what was said of them, but copied all that was written upon them.80 The epigrams of Simonides were to be read all over the Greek world, and not his epigrams alone.81 He and the other poets had been busy with the war.82 It is not fanciful to trace some items in Herodotus to the Attic Skolia.83 We can see the legend of Themistokles growing under the malignant pen of Timokrates; and the stories of Themistokles told by Herodotus have already suffered from such pens.84 Aischylos and Phrynichos had both celebrated events of the war upon the stage, long before Herodotus committed the facts to prose.85 The debt of Herodotus to Aischylos is admitted, though it concerns rather the spirit than the letter, the moral rather than the material of the story, making us moderns, with our precise habit in the weighing of evidence, wonder more at a difference in the legends of Salamis than at a resemblance in the portraits of Xerxes. Had we more of the poetry of the fifth century in our hands we should probably find a still larger debt, in form and in substance, to its credit with Herodotus. A writer of large range and experience has thought it not unlikely that the story of the Greek embassy to Gelon came from a play of [p. lxxv] Epicharmos.86 Just now an exploded hypothesis has been recalled, and Choirilos of Samos figures once more among the Sources of the Herodotean version of the Medika.87 There were, I suppose, collections of bons mots, of anecdotes, of wonders, of gnomes, or wise saws and modern instances, already in existence in Ionian prose literature, on which Herodotus sometimes draws.88 Some natural philosophy has found its way into the pages of Herodotus from earlier literature, as well as some moral philosophy.89 Was there no genuine historical literature connected with the war? It is generally admitted that the Hellenes, who had, according to Herodotus, turned the name of Masistios into Makistios, were writers.90 The admission is a far-reaching one: the authors are plural, and their concern is the Persian war. Was not Dionysios of Miletos one of their number?91 If we cannot further verify the details, we must at least concede the principle, that even the story of the war had for Herodotus its literary sources. The attempt to identify one such source with the exiled Athenian Dikaios has not been generally regarded as successful; but the suggestion was a legitimate one, and its chief defects lay in undertaking to realize too definitely the contents of the Memoirs, and to confine too narrowly Herodotus' fountains of knowledge.92 The art of Herodotus, which has cast the glamour of the living voice over the most disparate materials, makes it difficult to determine nicely the exact quality of his several Sources, or the precise provenience of every chapter in his work.93 His own action and redaction were too considerable in their effects for [p. lxxvi] that; but those critics most anxious to defend or to appreciate his authority, while compelled to admit that his work is largely derived from mere hearsay, and that he has allowed himself a very wide literary licence in dealing with his materials, will be especially glad to detect any signs the work may contain, that the author realized the obligation he was under to acquaint himself, so far as might be, with all the literature and documents connected with his subject.94