Art of Love, Remedy of Love, Art of Beauty, Court of Love, History of Love, Amours


Art of Love, Remedy of Love, Art of Beauty, Court of Love, History of Love, Amours
By P. Ovidius Naso
Edited by: various

New York Calvin Blanchard 1855



Perseus Documents Collection Table of Contents



Introduction

Life of Ovid

A Note on the Translations

Ovid's Art of Love

Book I

Book II

Book III

Ovid's Remedy of Love

Ovid's Art of Beauty.

The Court of Love, a tale from Chaucer.

History of Love, by Charles Hopkins

Admiration

Perseus and Andromeda

Desire

Pygmalion

Hippomenes and Atalanta

Jealousy

Cephalus and Procris

Despair

Orpheus and Eurydice

The Parting

The Parting of Achilles and Deidamia

Absence

Leander's Epistle to Hero

Narcissus and Echo

Salmacis and Hermaphroditus

Ovid's Amours.
   Elegy I: By Dryden
   Elegy II: By Creech
   Elegy III: To His Mistress. By Charles Hopkins.
   Elegy IV: To His Mistress, whose husband is invited to a feast with him. The poet instructed her how to behave herself in his company. By Dryden.
   Elegy V: By Duke
   Elegy VI: To His Mistress's Porter, to open the gate to him. By an unknown hand.
   Elegy VII: To His Mistress, whom he had beaten. By Henry Cromwell.
   Elegy VIII: He Curses a Bawd, for going about to debauch his mistress. By Sir Charles Sedley.
   Elegy IX: Of Love and War. By Henry Cromwell.
   Elegy XI: To Nape, praying her to deliver his letter to her mistress. By Henry Cromwell.
   Elegy XII: He curses his letter because it was not answered.
   Elegy XIII: To the Morning, not to make haste. By an unknown hand.
   Elegy XIV: He comforts his mistress for the loss of her hair by the means she took to beautify it. By an unknown hand.
   Elegy III: To a Eunuch, who had the keeping of his mistress
   Elegy IV: That he loves all sorts of women.
   Elegy V: To His False Mistress. By Eusden.
   Elegy VI: On the Death of His Mistress's Parrot. By Creech.
   Elegy VII: He protests that he never had anything to do with the chambermaid. By the same hand.
   Elegy VIII: To Corinna's Chambermaid. By the same hand.
   Elegy IX: To Love. By the Earl of Rochester.
   Elegy X: Ovid tells Graecinus, that he is fallen in love with a couple of ladies. By an unknown hand.
   Elegy XII: The Poet rejoices for the favours he has received of his mistress.
   Elegy XIII: To Isis. A prayer that the goddess would assist Corinna, and prevent her miscarrying.
   Elegy XIV: To his Mistress, who endeavoured to make herself miscarry.
   Elegy XV: The Poet addresses the ring which he has sent a present to his mistress. By an unknown hand.
   Elegy XVI: He invites his mistress into the country.
   Elegy XVII: He tells Corinna he will always be her slave
   Elegy XVIII: To Macer, blaming him for not writing of love as he did.
   Elegy XIX: By Dryden.
   Elegy I: The Poet deliberates with himself whether he should continue writing elegies, or attempt tragedy.
   Elegy II: To his Mistress at the horse-race. By Henry Cromwell.
   Elegy III: Of His Perjured Mistress. By Henry Cromwell.
   Elegy IV: To a man that locked up his wife. By Sir Charles Sedley
   Elegy V: The Dream. By Henry Cromwell.
   Elegy VI: To a River, as he was going to his mistress. By Rhymer.
   Elegy VII: Ovid laments his imperfect enjoyments. By an unknown hand.
   Elegy VIII: He complains that his mistress did not give him a favourable reception.
   Elegy IX: Upon the Death of Tibullus. By Stepney.
   Elegy X.
   Elegy XI: To his Mistress, that he cannot help loving her.
   Elegy XII: He complains that the praises he has bestowed on his mistress in his verses, have occasioned him many rivals.
   Elegy XIII: Of Juno's Feast.
   Elegy XIV: He desires his mistress, if she does cuckold him, not to let him know it.
   Elegy XV: To Venus, that he may have done writing elegies.

Introduction

Life of Ovid

A Note on the Translations

Ovid's Art of Love

Book I

Book II

Book III

Ovid's Remedy of Love

Ovid's Art of Beauty.

The Court of Love, a tale from Chaucer.

History of Love, by Charles Hopkins

Admiration

Perseus and Andromeda

Desire

Pygmalion

Hippomenes and Atalanta

Jealousy

Cephalus and Procris

Despair

Orpheus and Eurydice

The Parting

The Parting of Achilles and Deidamia

Absence

Leander's Epistle to Hero

Narcissus and Echo

Salmacis and Hermaphroditus

Ovid's Amours.
   Elegy I: By Dryden
   Elegy II: By Creech
   Elegy III: To His Mistress. By Charles Hopkins.
   Elegy IV: To His Mistress, whose husband is invited to a feast with him. The poet instructed her how to behave herself in his company. By Dryden.
   Elegy V: By Duke
   Elegy VI: To His Mistress's Porter, to open the gate to him. By an unknown hand.
   Elegy VII: To His Mistress, whom he had beaten. By Henry Cromwell.
   Elegy VIII: He Curses a Bawd, for going about to debauch his mistress. By Sir Charles Sedley.
   Elegy IX: Of Love and War. By Henry Cromwell.
   Elegy XI: To Nape, praying her to deliver his letter to her mistress. By Henry Cromwell.
   Elegy XII: He curses his letter because it was not answered.
   Elegy XIII: To the Morning, not to make haste. By an unknown hand.
   Elegy XIV: He comforts his mistress for the loss of her hair by the means she took to beautify it. By an unknown hand.
   Elegy III: To a Eunuch, who had the keeping of his mistress
   Elegy IV: That he loves all sorts of women.
   Elegy V: To His False Mistress. By Eusden.
   Elegy VI: On the Death of His Mistress's Parrot. By Creech.
   Elegy VII: He protests that he never had anything to do with the chambermaid. By the same hand.
   Elegy VIII: To Corinna's Chambermaid. By the same hand.
   Elegy IX: To Love. By the Earl of Rochester.
   Elegy X: Ovid tells Graecinus, that he is fallen in love with a couple of ladies. By an unknown hand.
   Elegy XII: The Poet rejoices for the favours he has received of his mistress.
   Elegy XIII: To Isis. A prayer that the goddess would assist Corinna, and prevent her miscarrying.
   Elegy XIV: To his Mistress, who endeavoured to make herself miscarry.
   Elegy XV: The Poet addresses the ring which he has sent a present to his mistress. By an unknown hand.
   Elegy XVI: He invites his mistress into the country.
   Elegy XVII: He tells Corinna he will always be her slave
   Elegy XVIII: To Macer, blaming him for not writing of love as he did.
   Elegy XIX: By Dryden.
   Elegy I: The Poet deliberates with himself whether he should continue writing elegies, or attempt tragedy.
   Elegy II: To his Mistress at the horse-race. By Henry Cromwell.
   Elegy III: Of His Perjured Mistress. By Henry Cromwell.
   Elegy IV: To a man that locked up his wife. By Sir Charles Sedley
   Elegy V: The Dream. By Henry Cromwell.
   Elegy VI: To a River, as he was going to his mistress. By Rhymer.
   Elegy VII: Ovid laments his imperfect enjoyments. By an unknown hand.
   Elegy VIII: He complains that his mistress did not give him a favourable reception.
   Elegy IX: Upon the Death of Tibullus. By Stepney.
   Elegy X.
   Elegy XI: To his Mistress, that he cannot help loving her.
   Elegy XII: He complains that the praises he has bestowed on his mistress in his verses, have occasioned him many rivals.
   Elegy XIII: Of Juno's Feast.
   Elegy XIV: He desires his mistress, if she does cuckold him, not to let him know it.
   Elegy XV: To Venus, that he may have done writing elegies.


Funded by The Annenberg CPB/Project

Book II

 
His guest from flight Minos inclos'd around,
Yet he with wings a daring passage found.
Thus Daedalus her offspring first confin'd;
Who, with a bull, in lewd embraces join'd:
Her teeming womb the horrid crime confess'd;
Big with a human bull, half man half beast.
Said he, " Just Minos, best of human kind,
Thy mercy let a prostrate exile find:
By fates compell'd my native shores to fly,
Permit me, where I durst not live, to die,
Enlarge my son, if you neglect my tears,
And show compassion to his blooming years:
Let not the youth a long confinement mourn,
Oh, free the son, or let his sire return!"
Thus he implor'd, but still implor'd in vain,
Nor could the freedom that he sought, obtain.
Convinc'd at length; " Now, Daedalus," he cried,
"Here's subject for thy art that's yet untried.
Minos the earth commands, and guards the sea,
No pass the land affords, the deep no way:
Heav'n's only free, we'll heav'n's auspicious height
Attempt to pass, where kinder fates invite;
Favor, ye powers above, my daring flight!"
Misfortunes oft prove to inventions kind,
Instruct our wit, and aid the lab'ring mind:
For who can credit men, in wild despair,
Should force a passage thro' the yielding air?
Feathers for wings design'd the artists chose,
And bound with thread his forming pinions close;
With temper'd wax the pointed end he wrought,
And to perfection his new labors brought.
The finish'd wings his smiling offspring views,
Admires the work, not conscious of their use:
To whom the father said, "Observe aright,
Observe, my son, these instruments of flight.
In vain the tyrant our escape retards,
The heavens he cannot, all but heav'n he guards:
Tho' earth and seas elude a father's care,
These wings shall waft us through the spacious air.
Nor shall my son celestial signs survey,
Far from the radient virgin take your way;
Or where Bootes the chill'd north commands,
And with his fau chion dread Orion stands:
I'll go before, me still retain in sight,
Where'er I lead securely make your flight.
For should we upward soar too near the sun,
Dissolv'd with heat the liquid wax will run;
Or near the seas an humbler flight maintain,
Our plumes will suffer by the streaming main.
A medium keep, the winds observe aright;
The winds will aid your advantageous flight."
He caution'd thus, and thus inform'd him long,
As careful birds instruct their tender young;
The spreading wings then to his shoulders bound,
His body pois'd, and rais'd him from the ground.
Prepar'd for flight, his aged arms embrace
The tender youth, whilst tears o'erflow his face.
A hill there was, from whence the anxious pair
Essay'd their wings, and forth they launch'd air;
Now his expanded plumes the artist plies,
Regards his son, and leads along the skies;
Pleas'd with the novelty of flight, the boy
Bounds in the air, and upward springs with joy.
The angler views them from the distant strand,
And quits the labors of his trembling hand;
Samos they past, and Naxos in their flight,
And Delos, with Apollo's presence bright.
Now on their right Lebintho's shores they found,
For fruitful lakes and shady groves renown'd.
When the aspiring boy forgot his fears,
Rash with hot youth and unexperienc'd years;
Upwards he soar'd, maintain'd a lofty stroke,
And his directing father's way forsook.
The wax, of heat impatient, melted run,
Nor could his wings sustain the blaze of sun.
From heaven he views the fatal depths below,
Whilst killing fears prevent the distant blow.
His struggling arms now no resistance find,
Nor poise the body nor receive the wind.
Falling, his father he implores in vain,
To aid his flight, and sinking limbs sustain;
His name invokes, till the expiring sound
Far in the floods with Icarus was drown'd.
The parent mourns, a parent now no more,
And seeks the absent youth on ev'ry shore;
"Where's my lov'd son, my Icarus?" he cries,
"Say in what distant region of the skies,
Or faithless clime the youthful wand'rer flies;"
Then view'd his pinions scatter'd o'er the stream.
The shore his bones received, the waves his name.
Minos with walls attempted to detain
His flying guests, but did attempt in vain;
Yet the wing'd god shall to our rules submit,
And Cupid yield to more prevailing wit.