Art of Love, Remedy of Love, Art of Beauty, Court of Love, History of Love, Amours


Art of Love, Remedy of Love, Art of Beauty, Court of Love, History of Love, Amours
By P. Ovidius Naso
Edited by: various

New York Calvin Blanchard 1855



Perseus Documents Collection Table of Contents



Introduction

Life of Ovid

A Note on the Translations

Ovid's Art of Love

Book I

Book II

Book III

Ovid's Remedy of Love

Ovid's Art of Beauty.

The Court of Love, a tale from Chaucer.

History of Love, by Charles Hopkins

Admiration

Perseus and Andromeda

Desire

Pygmalion

Hippomenes and Atalanta

Jealousy

Cephalus and Procris

Despair

Orpheus and Eurydice

The Parting

The Parting of Achilles and Deidamia

Absence

Leander's Epistle to Hero

Narcissus and Echo

Salmacis and Hermaphroditus

Ovid's Amours.
   Elegy I: By Dryden
   Elegy II: By Creech
   Elegy III: To His Mistress. By Charles Hopkins.
   Elegy IV: To His Mistress, whose husband is invited to a feast with him. The poet instructed her how to behave herself in his company. By Dryden.
   Elegy V: By Duke
   Elegy VI: To His Mistress's Porter, to open the gate to him. By an unknown hand.
   Elegy VII: To His Mistress, whom he had beaten. By Henry Cromwell.
   Elegy VIII: He Curses a Bawd, for going about to debauch his mistress. By Sir Charles Sedley.
   Elegy IX: Of Love and War. By Henry Cromwell.
   Elegy XI: To Nape, praying her to deliver his letter to her mistress. By Henry Cromwell.
   Elegy XII: He curses his letter because it was not answered.
   Elegy XIII: To the Morning, not to make haste. By an unknown hand.
   Elegy XIV: He comforts his mistress for the loss of her hair by the means she took to beautify it. By an unknown hand.
   Elegy III: To a Eunuch, who had the keeping of his mistress
   Elegy IV: That he loves all sorts of women.
   Elegy V: To His False Mistress. By Eusden.
   Elegy VI: On the Death of His Mistress's Parrot. By Creech.
   Elegy VII: He protests that he never had anything to do with the chambermaid. By the same hand.
   Elegy VIII: To Corinna's Chambermaid. By the same hand.
   Elegy IX: To Love. By the Earl of Rochester.
   Elegy X: Ovid tells Graecinus, that he is fallen in love with a couple of ladies. By an unknown hand.
   Elegy XII: The Poet rejoices for the favours he has received of his mistress.
   Elegy XIII: To Isis. A prayer that the goddess would assist Corinna, and prevent her miscarrying.
   Elegy XIV: To his Mistress, who endeavoured to make herself miscarry.
   Elegy XV: The Poet addresses the ring which he has sent a present to his mistress. By an unknown hand.
   Elegy XVI: He invites his mistress into the country.
   Elegy XVII: He tells Corinna he will always be her slave
   Elegy XVIII: To Macer, blaming him for not writing of love as he did.
   Elegy XIX: By Dryden.
   Elegy I: The Poet deliberates with himself whether he should continue writing elegies, or attempt tragedy.
   Elegy II: To his Mistress at the horse-race. By Henry Cromwell.
   Elegy III: Of His Perjured Mistress. By Henry Cromwell.
   Elegy IV: To a man that locked up his wife. By Sir Charles Sedley
   Elegy V: The Dream. By Henry Cromwell.
   Elegy VI: To a River, as he was going to his mistress. By Rhymer.
   Elegy VII: Ovid laments his imperfect enjoyments. By an unknown hand.
   Elegy VIII: He complains that his mistress did not give him a favourable reception.
   Elegy IX: Upon the Death of Tibullus. By Stepney.
   Elegy X.
   Elegy XI: To his Mistress, that he cannot help loving her.
   Elegy XII: He complains that the praises he has bestowed on his mistress in his verses, have occasioned him many rivals.
   Elegy XIII: Of Juno's Feast.
   Elegy XIV: He desires his mistress, if she does cuckold him, not to let him know it.
   Elegy XV: To Venus, that he may have done writing elegies.

Introduction

Life of Ovid

A Note on the Translations

Ovid's Art of Love

Book I

Book II

Book III

Ovid's Remedy of Love

Ovid's Art of Beauty.

The Court of Love, a tale from Chaucer.

History of Love, by Charles Hopkins

Admiration

Perseus and Andromeda

Desire

Pygmalion

Hippomenes and Atalanta

Jealousy

Cephalus and Procris

Despair

Orpheus and Eurydice

The Parting

The Parting of Achilles and Deidamia

Absence

Leander's Epistle to Hero

Narcissus and Echo

Salmacis and Hermaphroditus

Ovid's Amours.
   Elegy I: By Dryden
   Elegy II: By Creech
   Elegy III: To His Mistress. By Charles Hopkins.
   Elegy IV: To His Mistress, whose husband is invited to a feast with him. The poet instructed her how to behave herself in his company. By Dryden.
   Elegy V: By Duke
   Elegy VI: To His Mistress's Porter, to open the gate to him. By an unknown hand.
   Elegy VII: To His Mistress, whom he had beaten. By Henry Cromwell.
   Elegy VIII: He Curses a Bawd, for going about to debauch his mistress. By Sir Charles Sedley.
   Elegy IX: Of Love and War. By Henry Cromwell.
   Elegy XI: To Nape, praying her to deliver his letter to her mistress. By Henry Cromwell.
   Elegy XII: He curses his letter because it was not answered.
   Elegy XIII: To the Morning, not to make haste. By an unknown hand.
   Elegy XIV: He comforts his mistress for the loss of her hair by the means she took to beautify it. By an unknown hand.
   Elegy III: To a Eunuch, who had the keeping of his mistress
   Elegy IV: That he loves all sorts of women.
   Elegy V: To His False Mistress. By Eusden.
   Elegy VI: On the Death of His Mistress's Parrot. By Creech.
   Elegy VII: He protests that he never had anything to do with the chambermaid. By the same hand.
   Elegy VIII: To Corinna's Chambermaid. By the same hand.
   Elegy IX: To Love. By the Earl of Rochester.
   Elegy X: Ovid tells Graecinus, that he is fallen in love with a couple of ladies. By an unknown hand.
   Elegy XII: The Poet rejoices for the favours he has received of his mistress.
   Elegy XIII: To Isis. A prayer that the goddess would assist Corinna, and prevent her miscarrying.
   Elegy XIV: To his Mistress, who endeavoured to make herself miscarry.
   Elegy XV: The Poet addresses the ring which he has sent a present to his mistress. By an unknown hand.
   Elegy XVI: He invites his mistress into the country.
   Elegy XVII: He tells Corinna he will always be her slave
   Elegy XVIII: To Macer, blaming him for not writing of love as he did.
   Elegy XIX: By Dryden.
   Elegy I: The Poet deliberates with himself whether he should continue writing elegies, or attempt tragedy.
   Elegy II: To his Mistress at the horse-race. By Henry Cromwell.
   Elegy III: Of His Perjured Mistress. By Henry Cromwell.
   Elegy IV: To a man that locked up his wife. By Sir Charles Sedley
   Elegy V: The Dream. By Henry Cromwell.
   Elegy VI: To a River, as he was going to his mistress. By Rhymer.
   Elegy VII: Ovid laments his imperfect enjoyments. By an unknown hand.
   Elegy VIII: He complains that his mistress did not give him a favourable reception.
   Elegy IX: Upon the Death of Tibullus. By Stepney.
   Elegy X.
   Elegy XI: To his Mistress, that he cannot help loving her.
   Elegy XII: He complains that the praises he has bestowed on his mistress in his verses, have occasioned him many rivals.
   Elegy XIII: Of Juno's Feast.
   Elegy XIV: He desires his mistress, if she does cuckold him, not to let him know it.
   Elegy XV: To Venus, that he may have done writing elegies.


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She answer'd, " Friend, your service I disclaim;
Who are you, pray? whence come you? what's your name?"
"Men call me Celadon, in verse I write,
And songs at home with some applause indite;
Oh, why is every flower and pleasing root
That in the Muses' happy garden shoot,
Denied me now? and why must I despair,
With sweets of verse to charm the brightest fair?
Thou gentle muse, my humble breast inspire
With sacred numbers and celestial fire;
And, Pallas, thy propitious light convey,
To chase the mist of ignorance away!"
"Peace, rhyming fool, and learn henceforth to make
A fitter choice; your woman you mistake."
"0 mercy, Venus! mercy from above!
Why would you curse me with such hopeless love?
Behold the most abandon'd soul on earth;
Ill was I got, and woful was my birth.
Unless some pity on my pains you shed,
The frosty grave will quickly be my bed."
Thus having spoke, my breath began to fail,
My colour sunk, and turned like ashes pale;
I swoon'd, and down I fell. " Thou slave arise
(Cried Rosalinda), now thy love I prize;
I only tried thy heart, and since I find
'Tis soft and tender, know that mine is kind.
Swear but to keep the oath you lately took,
And I'll not be so cruel as I look."
Her eyes then languish'd, and her face grew red,
And squeezing fast my hand, she laughing said,
"I know a way thy passion to appease,
And soon will set thy simple heart at ease."
But ere she brought me to her promis'd bed,
The rapture wak'd me, and the vision fled.

History of Love, by Charles Hopkins

[sect. 1]
Ye woods and wilds, serene and blest retreats,
Atone the lovers' and the muses' seats;
To you I fly, to you, ye sacred groves,
To tell my wond'rous tales of wond'rous loves.
Thee, Delia, thee shall ev'ry shepherd sing,
With thy dear name the neighb'ring woods shall ring;
No name but thine shall on their barks be found,
With none but thine shall echoing hills resound.
My verse thy matchless beauties shall proclaim,
Till thine outrivals Sacharissa's fame;
My verse shall make thee live while woods shall grow,
While stars shall shine, and while the seas shall flow;
While there remains alive a tender maid,
Or am'rous youth, or love-sick swain to read.
Others may artfully the passions move,
In me alone 'tis natural to love;
While the world sees me write in such a strain,
As shews I only feel what others feign.
Thou darling of my youth, my life's delight.
By day my vision, and my dream by night,
Thou, who alone dost all my thoughts infuse,
And art at once my mistress and my muse;
Inspir'd from thee, flows ev'ry sacred line,
Thine is the poetry, the poet thine.
Thy service shall my only bus'ness be,
And all my life employ'd in pleasing thee.
Crown'd with my songs of thee, each day shall move,
And ev'ry list'ning son hear nought but love;
With flowing numbers ev'ry page shall roll,
Where, as you read my verse, receive my soul.
Should sense, and wit, and art refuse to join
In all I write, and fail my great design,
Yet with such passion shall my lines be crown'd,
And so much softness in my poem found,
Such moving tenderness, the world shall see,
Love could have been describ'd by none but me.
Let Dryden from his works with justice claim
Immortal praise! I from my sacred flame
Draw all my glory, challenge all my fame.
Believe me, Delia, lovers have their wars,
And Cupid has his camp as well as Mars.
That age which suits a soldier best, will prove
The fittest for the sharp fatigues of love;
None but young men the toils of war can bear,
None but young men can serve and please the fair;
Youth with the foe maintains the vig'rous fight,
Youth gives the longing maid the full delight.
On either hand like hardship it sustains,
Great are the soldier's, great the lover's pains.
Th' event of war no gen'ral can foreknow,
And that, alas! of love is doubtful too.
In various fields, whatever chance shall fall,
The soldier must resolve to bear it all;
With the like constancy must lovers wait,
Enduring bad, and hoping better fate;
Thro' doubts and fears, desires and wishes tost,
Undaunted, they must strain to reach the coast;
All will awhile look hideous to their eye,
The threat'ning storm still thickening in the sky,
No sight of land, no friendly harbour nigh.
Yet thro' all this the vent'rous lover steers,
To reap the golden crop that beauty bears;
So the bold mariners the seas explore,
Tho' winds blow hard, and waves like thunder roast
Rather than live in poverty on shore.
Embolden'd thus, let ev'ry youth set sail,
And trust to fortune for a prosp'rous gale;
Let them launch boldly from the lazy shore,
Nor fear a storm which will at last blow o'er.
Set all their reins to all their passions free,
Give wings to their desires, and love like me.
Happy that youth who, when his stars incline
His soul to love, can make a choice like mine.