Commentary on Catullus (Latin) Machine readable text


Commentary on Catullus (Latin)
By E. T. Merrill
Edited by: E. T. Merrill

Cambridge Harvard University Press 1893



Perseus Documents Collection Table of Contents



Introduction.
   Early Lyric Poetry at Rome.
   Catullus.
   Date of birth and of death.
   Family and circumstances.
   Education
   Lesbia.
   Journey to Bithynia.
   Later years. Relations with Caesar.
   Poems.
   Manuscripts.
   Friends and foes.
   Metres.
   Prosody.

Introduction.
   Early Lyric Poetry at Rome.
   Catullus.
   Date of birth and of death.
   Family and circumstances.
   Education
   Lesbia.
   Journey to Bithynia.
   Later years. Relations with Caesar.
   Poems.
   Manuscripts.
   Friends and foes.
   Metres.
   Prosody.


Funded by The Annenberg CPB/Project

Introduction.

  [sect. 12]

Metres.

The metres employed by Catullus are as follows1 : -

[76]

76. DACTYLIC HEXAMETER (cc. 62, 64) and ELEGIACS (cc. 65-116). The occurrence of spondaic verses is very frequent, and doubtless is due to Alexandrian influence. In all, there are 42 such verses, of which 34 end in a quadrisyllable. In only ten instances is this a proper name. In c. 64 there is a succession of three spondaic verses (vv. 78-80) - The tendency to employ a succession of spondees in the same verse is striking. Thus c. 116.3 is made up entirely of spondees, and 71 verses have spondees in the first four places. - The penthemimeral caesura is by far the favorite, though the hephthemimeral occurs occasionally; and the feminine caesura in the third foot is not unknown, though it is entirely excluded from the fourth. - The hexameters end preferably in a dissyllable or trisyllable, but in the ending of the pentameters greater freedom is allowed. - Hypermeters are found in c. 64.298 and c. 115.5. - On hiatus, see 86 d.


[77]

77. PURE IAMBIC TRIMETER (c. 4) Perhaps c. 29 is in the same metre; but cf. note on Mamurram in v.3.


[78]

78. IAMBIC TRIMETER (c. 52, and perhaps c. 29), with the optional substitution of a spondee for the first iambus of any dipody. The scheme, then, is,

x-u- x-u- x-u-


[79]

79. CHOLIAMBIC or SCAZON (cc. 8, 22, 31, 37, 39, 44, 59, 60).

The scheme is as follows: -

x-u- x-u- u---

Thrice also the thesis is resolved (in cc. 22.19; 37.5; 59.3, - unless in c. 37.5 we read confutuere as a quadrisyllable).


[80]

80. IAMBIC TETRAMETER CATALECTIC, otherwise called Iambic Septenarius (c. 25). The scheme is, -

x-u- x-u- x-u- x--


[81]

81. PHALAECEAN, often called Hendecasyllabic (cc. 1-3, 5-7, 9, 10, 12-16, 21, 23, 24, 26-28, 32, 33, 35, 36, 38, 4O-43, 45-50, 53-58). The scheme is, -

oo -uu- u- u--

It may be remarked that while the verse most frequently opens with the irrational trochee (as always in Martial), there are nearly seventy exceptions to this rule, and they are about evenly divided between the regular trochaic opening and that with the iambus.2 The peculiar experiment with this metre tried in cc. 55 and 58b is noted in the introduction to c. 55.


[82]

82. GLYCONIC and PHERECRATIC series are combined by Catullus as follows3 :-

a.A second Glyconic catalectic followed by a second Pherecratic acatalectic forms the verse called PRIAPEAN, used in c. 17. The scheme is, -

oo -uu- u- | oo -uu- -

The first series in this verse ends with a complete word, and does not allow hiatus after it: elision occurs there four times (vv. 4, 11, 24, 26).


b.The stanza of c. 34 is composed of four verses, of which the first three are second Glyconics catalectic, and the fourth a second Pherecratic acatalectic. The stanza of c. 61 is similar, but with four, instead of three, Glyconics. The scheme of the Glyconics thus arranged is, -

oo -uu- u-

and that of the Pherecratics, -

oo -uu- -

Synapheia is observed throughout, as in the Priapean stanza. Once an irrational spondee takes the place of the cyclic dactyl (c. 61. 25)4 .



[83]

83. GREATER ASCLEPIADIC verses compose c. 30. The scheme of each is as follows: -

oo -uu- -uu- -uu- u-

Contrary to the practice of Horace, caesura is not always observed between the successive series in each verse.


[84]

84. The SAPPHIC stanza (cc. 11, 51) as used by Catullus has the following scheme: -


-u-x -uu- u--
-u-x -uu- u--
-u-x -uu- u--
-uu--

In allowing a trochee thrice in place of the irrational spondee (cc. 11. 6; 11. 15; 51.13), and in indifference to the caesura, Catullus resembles Sappho more closely than does Horace.5


[85]

85. In c. 63 the GALLIAMBIC verse is used. It is said to have originated as a lesser Ionic tetrameter catalectic, having, therefore, the following scheme: -

uu-- uu-- uu-- uu-

But as used by Catullus anaclasis always occurs (except in vv. 54 and 60?), and the resultant trochees are often, the last almost always, resolved. The scheme may therefore be written as follows (the regularly occurring caesura being indicated by a comma) -

uu-u-u-- , uu-uWu-

This scheme is not, to be sure, true to the theory of the Ionic series, but the result of anaclasis (i.e. the substitution of dichorees for Ionics) seems to have been that the metre was treated as trochaic, and the anacrusis, therefore, became of necessity irrational. On no other theory is rhythmical recitation of the Galliambics of Catullus possible.6 The individual schemes of several verses of c. 63 are here given as specimens of the application of the general scheme:

Line 1: uu-u-u-- uu-uwu-

Line 5: W-u-u-- uu-uwu-

Line 14: uu-u-u-- uu-u-u-