HerodotusThe Seventh, Eighth, & Ninth Books with Introduction and CommentaryMachine readable text


Herodotus
By Reginald Walter Macan




Perseus Documents Collection Table of Contents



PREFACE

INTRODUCTION
   Unity of the last three Books of Herodotus
   Justification of the existing subdivisions
   Characteristic and Analysis of Bk. 7
   Characteristic and Analysis of Bk. 8
   Characteristic and Analysis of Bk. 9
   Is the work of Herodotus incomplete, or unfinished?
   General considerations in support of the priority of Bks. 7, 8, 9
   Particular passages favourable to the priority of Bks. 7, 8, 9
   Marks of successive Redactions in Bks. 7, 8, 9
   The Sources: analysis inconclusive
   Defects and Merits of Herodotus historicus as exhibited in Bks. 7, 8, 9
   The false and the true estimates of Herodotus and his work

THE TEXT


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INTRODUCTION

  [sect. 2]

Justification of the existing subdivisions

Granted, however, that for practical purposes a subdivision of the third volume, or section, of the work was desirable, the existing divisions are sufficiently justified by the structure of the narrative and the nature of the subject.5 The story falls almost spontaneously into the account of the antecedents and preparations for the great undertaking, as well on the offensive side as on that of the defence. The scenes of these two parallel streams of narrative and description are necessarily laid apart, on the Asiatic and on the European mains, until the invaders and the invaded are set face to face, by sea and land, at Artemision and Thermopylai. From that point onward the stories of the PersoHellenic war might flow in a single channel but for the double character of the operations, maritime and terrestrial. Thus, to the account of the preparations ex parte Persarum, which carries Xerxes and his forces to the threshold of Greece, uninterrupted by any reference to purely Greek affairs, succeeds the account of the contemporary preparations of the Greeks to meet the impending danger, down to the definitive occupation of their first line of defence. At this point the two stories coalesce [p. xix] into the narrative of the struggle for Thermopylai, with the capture of which post the seventh Book virtually concludes. Four or five subjects, in the main of continuous character, fill the eighth Bookthe story of the naval operations off Artemision, the advance of the Persians through central Greece, including the attempted sack of Delphi and the actual capture of Athens, the naval movements culminating in the battle of Salamis and its immediate sequels on sea and land, the retirement of the King and his land-forces, and certain proceedings of the winter and spring antecedent to the second campaign. A minute analysis of this portion of the work will reveal a more open texture, a more composite structure, a certain embarrassment on the author's part in dealing with his materials, an appreciable increase in digressional and episodic elements, a greater complication than is observable in the construction of the seventh or of the ninth Books; but, for all that, the structure of Book 8 is simple in comparison with Books 5 and 6, or even Book 3. The ninth Book is the simplest, as it is the shortest, of all the conventional divisions: it holds but two compartments, the narrative of the operations of the armies in Europe, culminating at Plataia; the narrative of the naval operations culminating on the Asian side at Mykale, with a sort of corollary in each case respectively, the siege of Thebes, the siege of Sestos. Throughout this whole volume comprising these three Books the narrative flows on almost unbroken, except by those changes of scene and time which the nature of his subject itself or the sources of his knowledge imposed on or at least suggested to the author. To emphasize more fully the continuity and coherence of this narrative, to specify such digressional passages as do occur, to exhibit the structure and contents of these Books in somewhat greater detail, there is here subjoined a more detailed Analysis, which follows the clear divisions and self-advertisements of the work itself, with explicit references.