Commentary on the Homeric HymnsMachine readable text


Commentary on the Homeric Hymns
By Thomas W. Allen
London Macmillan 1904



Perseus Documents Collection Table of Contents



THE HOMERIC HYMNS IN ANTIQUITY
   FIFTH CENTURY B.C.
   THIRD CENTURY B.C.
   FIRST CENTURY B.C.6
   SECOND CENTURY A.D.

THE NATURE OF THE HOMERIC HYMNS

HYMN TO DIONYSUS

HYMN TO DEMETER

HYMN TO APOLLO

HYMN TO HERMES

HYMN TO APHRODITE

HYMN TO APHRODITE

HYMN TO DIONYSUS

HYMN TO ARES

HYMN TO ARTEMIS

HYMN TO APHRODITE

HYMN TO ATHENA

HYMN TO HERA

HYMN TO DEMETER

HYMN TO THE MOTHER OF THE GODS

HYMN TO HERACLES THE LION-HEARTED

HYMN TO ASCLEPIUS

HYMN TO THE DIOSCURI

HYMN TO HERMES

HYMN TO PAN

HYMN TO HEPHAESTUS

HYMN TO APOLLO

HYMN TO POSEIDON

HYMN TO ZEUS

HYMN TO HESTIA

HYMN TO THE MUSES AND APOLLO

HYMN TO DIONYSUS

HYMN TO ARTEMIS

HYMN TO ATHENA

HYMN TO HESTIA

HYMN TO EARTH THE MOTHER OF ALL

HYMN TO HELIOS

HYMN TO SELENE

HYMN TO THE DIOSCURI

THE HOMERIC HYMNS IN ANTIQUITY
   FIFTH CENTURY B.C.
   THIRD CENTURY B.C.
   FIRST CENTURY B.C.6
   SECOND CENTURY A.D.

THE NATURE OF THE HOMERIC HYMNS

HYMN TO DIONYSUS

HYMN TO DEMETER

HYMN TO APOLLO

HYMN TO HERMES

HYMN TO APHRODITE

HYMN TO APHRODITE

HYMN TO DIONYSUS

HYMN TO ARES

HYMN TO ARTEMIS

HYMN TO APHRODITE

HYMN TO ATHENA

HYMN TO HERA

HYMN TO DEMETER

HYMN TO THE MOTHER OF THE GODS

HYMN TO HERACLES THE LION-HEARTED

HYMN TO ASCLEPIUS

HYMN TO THE DIOSCURI

HYMN TO HERMES

HYMN TO PAN

HYMN TO HEPHAESTUS

HYMN TO APOLLO

HYMN TO POSEIDON

HYMN TO ZEUS

HYMN TO HESTIA

HYMN TO THE MUSES AND APOLLO

HYMN TO DIONYSUS

HYMN TO ARTEMIS

HYMN TO ATHENA

HYMN TO HESTIA

HYMN TO EARTH THE MOTHER OF ALL

HYMN TO HELIOS

HYMN TO SELENE

HYMN TO THE DIOSCURI


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Poem 18

HYMN TO HERMES

THE shorter hymn to Hermes is merely an abstract from the longer, as is the case with the preceding hymn to the Dioscuri. Gemoll notices that the subject of both these abbreviated versions is confined to the birth of the gods. Further, as the hymn to Asclepius (xvi), which also stops at his birth, must be old (see Introd.), Gemoll concludes that xvii and xviii belong to the same age as xvi. This reasoning seems to be sound, and we may therefore reject Baumeister's theory that the present hymn was compiled a grammatico nescio quo ingenioli ostentandi causa.

The three hymns are to be considered as equally genuine products of antiquity, although their precise date cannot be decided. But the reason for the existence of the two abbreviations (xvii and xviii) is not obvious. The original hymn to Hermes (iv) is of course far too long to have served as a prelude to an ordinary recitation of epic poetry; it would therefore be natural to suppose that xviii was an abstraction for the use of rhapsodists. But the original hymn to the Dioscuri (xxxiii) hardly exceeds the limits of the usual preludes, and it is hard to see why it should have been further shortened. Perhaps even a hymn of moderate compass came to be thought excessive by rhapsodists who were anxious to begin the actual recitation. The prelude had become a mere convention, just as a few bars of God save the King are now taken to represent the entire national anthem at the conclusion of a play.

2-9=h. Herm. 2-9, with a few variations: 4 Ἄτλαντος θυγάτηρ=νύμφη ἐϋπλόκαμος, 5 ἀλέεινεν=ἠλεύαθ̓, 6 ἄντρῳ ναιετάουσα παλισκίῳ = ἄντρον ἔσω ναίουσα παλίσκιον, 8 εὖτε=ὄφρα, 9 λάνθανε δ̓ = λήθων.

10=h. Herm. 579.


Commentary on line 12

xaridw=ta: for these words see on h. i.2, and add ολβιοτα ζευ J. H. S. xxiii. p. 243. The line is a curious addition to 11, which in h. Aphr. and h. ix is the formula of transition at the end of a prelude. It has been thought an alternative to 11, or an interpolation; but there is no reason for demanding complete uniformity in these endings.

dw=tor e)a/wn=xxix. 8, Callim. h. Zeus 91, Od. 8.335.